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Nom: explora park
Format:Fichier D’archive
Licence:Usage Personnel Seulement
Système d’exploitation: MacOS. Android. iOS. Windows XP/7/10.
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But there is another process, happening in cities, which is extreme decentralization, or mixing. I rolled 93 now, and just lost it again. Puis l'Explora Park nous a proposé d'installer le contenu du second livre qui n'y était pas chargé. We cannot copy nature, but whenever we create a new building, it is not an abstract landscape but a new reality. Created by PixelWess These are the type of things that I try to follow, and I see in your designs that you are trying to create active buildings too. Si no aceptamos la complejidad de los sistemas en los que nos movemos, es imposible que progresemos. Taille:

Application [email protected] Park pour les tablettes tactiles VTech. Cette application permet d'acheter et de télécharger du contenu additionnel (applications, histoires . VTECH a continué à commercialiser ses jouets connectés tout en sachant qu'il ne fonctionnent pas à cause de la fermeture d'explora park. Retrouvez notre offre Telecharger explora park vtech storio au meilleur prix sur Rue du Commerce avec du stock des services et la livraison rapide.

Para nosotros es importante porque construyes nuevos y, sobre todo, distintos tipos de relaciones con los que te rodean. Y no me refiero a ir de vacaciones a un buen hotel y disfrutar mucho del paisaje. Me refiero a desaparecer en ella, cuando todo es tan completamente impredecible, tan indescriptible que es exclusivamente tu responsabilidad disfrutarlo, habitarlo.

Es un parque de juegos para adultos gigantesco. Y a la inversa escalando, con su paciencia y lentitud. El problema fue luego al bajar. Though their works are readily distinguishable and evidently different, their approach to architecture is practically the same. They both take inspiration from the landscape, the one they have known since their childhood, and that, as in the case of so many Nordic authors, has marked their career and work.


We also go on an expedition every year, but last year there was a terrible snowstorm in which seven people had died, so we had to stay in the valley. Kjetil Thorsen: But you have to do it.

It is like a car crash, you have to go straight back to the car, or you will be always scared of driving. For us it is important because you build many new kinds of relationships. When you get so close to landscape, you are almost having sex with the landscape… BI: I have been thinking that I get so much out of getting into nature. It is a gigantic playground for grown-ups. KT: It is also a way of learning about architecture. Skiing, for example, is the best way of describing the section of a landscape, through height and speed.

You are following the contour lines of landscape continuously, so you get a really close perception of the abstraction of the landscape when you are skiing.

But it is the same with the slowness of climbing. When you are climbing, and you are hanging from the wall, you get the feeling of being far from everything, but at the same time the wall could not be any closer.

BI: I remember this amazing experience.


We were walking up this pass, it was like an 1,meter ascent and it was raining nonstop, endless rain for a week. Everything was slippery, so climbing up was super hard. It was beautiful. Up there we were in the clouds, and once in a while they would open and you would have this magnificent view, but right after they would close again, very fast.

Finally, when we walked down, we constantly had to lie down, flat on the stomach — we could not do it on our backs, because we had the backpacks — and slide down this kind of greasy mountain.


It was a complete surrender to the elements. KT: We keep drifting in the direction of having sex with the landscape… For me there are only two situations in the world: the mountains or the sea. Everything in between is kind of boring.

BI: I totally agree. KT: But I like that. That type of challenge. If it is not windy enough, stay home.

If you see where our offices are located in Oslo, we are completely exposed 60 C 11 to the weather. The location is directly south towards the fjord, twenty meters away from it, and it is this huge warehouse that sits in the outermost peak of Oslo, below the castle.

So you are getting all the weather: the winter, the spring, the autumn, the summer… We have all the fisherman in front. It is actually this kind of closeness to these things, as we were discussing before, that makes you learn from them. To design something you need to be filled with it.

You have to be under the skin of things. Landscape does that to you. BI: Just to finish this landscape theme, I think that there is something that our work shares, this idea of invitation. You called it generosity. One of our first buildings, the VM Houses, has these triangular balconies, 5 meters long.

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The idea was to get so far out into the air that you could actually turn around and look at your building. When you are standing there, you feel in the air, surrounded only by your neighbors.

Obviously also with The Mountain and the Eight House, where you climb up a ski slope. In other words, the idea that each project somehow tries to make available something that would normally be off limits, so that you end up having not an accumulation of private domains, but rather a new kind of man-made landscape.

KT: We talked about architecture being active.


To me it is about prepositions: in, over, through, within… Anything that can relate to many prepositions all of a sudden moves into active positioning in relation to people. If you can walk through, over, in, under, and so forth and so forth, then you are close to the landscape. Because the landscape and our whole language is based on the fact that we develop prepositions to define our position. It has to have a whole range of prepositions in order to be active. This was the discussion we had at the Venice Biennale, and that is why I am no longer happy with the separation between inside and outside in the debates on public space, simply because I believe that it is limiting to the architecture, and to the public space.

These are the type of things that I try to follow, and I see in your designs that you are trying to create active buildings too.

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BI: Definitely. Is it a building? Do they cut the building below? Or is it outer space? BI: That is exactly my dream. I have been saying this all the time, in a city map building is yellow, public building is red, park is green… and I have been focusing on this idea that industrial is gray.

It is like this cancerous tissue in the city map, but I am curious to see how are they going to label the power plant. Le téléchargement a été plutôt rapide, de l'ordre de 2 minutes environ. Quels apports éducatifs pour ce jouet interactif?

L'enfant apprend à tenir le stylet interactif dans sa main. Sa forme a été étudiée afin qu'il puisse le tenir comme un vrai crayon. Lors des différentes activités, il apprend à tracer ses premières formes, lettres ou encore ses premiers chiffres.


Les deux niveaux de difficulté de chaque livre permettent à votre enfant d'approfondir ses découvertes, de développer sa logique et son sens de l'observation. Une voix rassurante guide votre enfant dans ses découvertes.

Les voix des personnages, les sons et les chansons l'encouragent à jouer. Grâce aux jolies illustrations, à l'interaction avec les personnages et aux nombreuses activités, votre enfant acquiert des connaissances tout en s'amusant. Pour le faire fonctionner il comprend deux boutons dans le coin avant droit qui servent à l'allumer et régler le volume du son.

Ensuite le stylo connecté prend le relais pour le reste. Le stylet se range sur la droite, il est interactif réagit à chaque fois que l'enfant touche une illustration des livres-jeu : c'est une façon amusante de découvrir les livres et d'acquérir de nouvelles connaissances. Les pages sont semi-rigides, elles ne sont pas souples comme un papier ordinaire mais sont un peu plus épaisses sans toutefois être toutes raides.

Les thèmes vont de la plus jeune enfance tel que les nombres, les formes, les chiffres aux thèmes plus complexes abordant les sujets de l'école primaire. Ici nous avons adoré découvrir ce jouet éducatif.